Through HARP, HERE has developed such highly acclaimed works as Eve Ensler’s The Vagina Monologues, Taylor Mac’s The Lily’s Revenge, Young Jean Lee’s Songs of the Dragons Flying to Heaven, Basil Twist’s Symphonie Fantastique, Trey Lyford and Geoff Sobelle’s All Wear Bowlers, and James Scruggs’ Disposable Men, to name a few. Since HARP’s founding, HERE has supported the work and career development of 165 lead artists and hundreds of their collaborators.
HARP nurtures the development of nine to eleven artists, through a cross-disciplinary exchange, monthly meetings, peer-driven workshops, and panel discussions. Created nearly 20 years ago to address a compelling need in the field—the void of artistic, administrative, and financial support for artists with certain professional accomplishments, but without breakthrough recognition—HARP assists artists who are developing distinct voices and experimenting with new approaches that expand the parameters of performance. HARP is unique by offering a meeting ground where artists from varied disciplines can share diverse perspectives and by developing work with a hybrid performance aesthetic.
The 2019 HARP application is due February 1, 2019, and can be found at here.org.