
New York City Center
June 1 - 3
Ballet Hispánico will present a mixed program curated by Artistic Director & CEO Eduardo Vilaro featuring repertory favorites, two new commissions, a new work, plus repertory. Included on the program is Pedro Ruiz's Club Havana, William Forsythe's New Sleep presented in tribute to Ballet Hispánico’s founder Tina Ramirez (1929 – 2022); and the premiere of Michelle Manzanales Sor Juana and Omar Román De Jesús’ Papagayos. Find out more here
Various Artists
Danspace Project
May 25 - June 3
The six-show reprisal of Variations on Themes from Lost and Found: Scenes from a Life and other works by John Bernd, co-directed by choreographers Ishmael Houston-Jones and Miguel Gutierrez, with music by composer Nick Hallett concludes. Find out more here
Daniel Gwirtzman Dance Company (Virtual & In-person)
The Cherry Artspace
May 26 - June 4
The Cherry Arts and Gwirtzman presents e-Motion, a collaboration with playwright Saviana Stanescu which explores artificial intelligence, neuroscience and what it means to be human in a digital age. Find out more here
José Limón Dance Company
Kaatsbaan
June 3
The Limón Dance Company will present Chaconne (1942) and The Moor's Pavane (1949). Find out more here
The American Ballet Theatre Studio Company
Kaatsbaan
June 3
The company will present, as part of the ABT Women’s Movement, at least on work by an emerging female choreographer plus other commissioned works. Find out more here
Various Artists
American Academy of Arts and Letters, Audubon Terrace
June 3 - 4
Dance and Process, the series that brings dance artists into a group process interrogating methods of choreographic and dance practice. This year features Martita Abril, Jonathan González, and Anh Vo. Find out more here
Yanira Castro / a canary torsi
The Chocolate Factory
June 4 - 11
Castro's I came here to weep "is a performance and collective exorcism co-created with the public. It is a multimodal, interactive project made up of four participatory scores with corresponding materials and environments that examines U.S. territorial possession through the redaction, deconstruction and performance of absurdist colonial texts," according to the release. Find out more here